As law reformers call for addiction treatment as a remedy to thefailing war on drugs, it is also time to consider the seriousimplications of joining legal and therapeutic practices in an assumedlybenevolent bid to cure the offender. Criminal Artefacts castsdoubt on the assumption that drugs lie at the heart of crime. Casestudies from drug treatment courts and addiction treatment programsillustrate the tensions between law and psychology, treatment andpunishment, and conflicting theories of addiction. This book asks us toquestion why the criminalized drug user has become such a focus ofcontemporary criminal justice practices.
A Prayer Before Dawn is the true story of one man’s fight to survive inside Klong Prem Prison, the notorious Bangkok Hilton. Billy Moore travelled to Thailand to escape a life of drug addiction and alcoholism. He managed to overcome his inner demons for a time but relapsed after trying ya ba – a highly-addictive form of methamphetamine. Moore’s life quickly descended into chaos, drug dealing and violence until he was eventually arrested and imprisoned in Klong Prem, a place where life has no value. A Prayer Before Dawn is no ordinary prison memoir; it’s the story of one man’s struggle to survive in one of the world’s toughest prisons. It’s also a story of redemption in the most unlikely of places. Billy Moore was born in Liverpool, England. He has worked as a teacher, Muay Thai fighter and extra on film sets. Following his release from prison in Thailand, he returned to Britain where he now lives with his family. He is now working as a motivational speaker and a drugs counsellor.
A rich collection of interdisciplinary essays, this book explores the question: what is to be found at the intersection of the sensorium and law’s empire? Examining the problem of how legal rationalities try to grasp what can only be sensed through the body, these essays problematize the Cartesian framework that has long separated the mind from the body, reason from feeling and the human from the animal. In doing so, they consider how the sensorium can operate, variously, as a tool of power or as a means of countering the exercise of regulatory force. The senses, it is argued, operate as a vector for the implication of subjects in legal webs, but also as a powerful site of resistance to legal definition and determination. From the sensorium of animals to technologically mediated perception, the ways in which the law senses and the ways in which senses are brought before the law invite a questioning of the categories of liberal humanism. And, as this volume demonstrates, this questioning opens up the both interesting and important possibility of imagining other sensual subjectivities.
This book presents the work of a new generation of critical criminologists who explore the geographical, institutional, and political contexts of the discipline in Canada. Breaking away from mainstream criminology and law-and-order discourses, the authors offer a spectrum of theoretical approaches to criminal justice -- from governmentality to feminist criminology, from critical realism to anarchism � and they propose novel approaches to topics ranging from genocide to white-collar crime. By posing crucial questions and attempting to define what criminology should be, this book will shape debates about crime, policing, and punishment for years to come.
Sir John Moore died at the height of his glory, having just defeated Marshal Soult’s French forces at the Battle of Corunna in 1809 during the Peninsular War. On his lips as he died he hoped that the British Public would remember him and that they would be proud that he had done his duty. However, his Peninsular glory was only the swansong to a remarkable career in the British Army, born in 1761 to Dr. John Moore, a well-known Glasgow doctor, his achievements and service span some thirty years. He first saw action during the American War of Independence in 1778 and was to see much more in the limited campaigns around the world, before the Wars of the French Revolution and the rise of Napol...
Developed by Bruno Latour and his collaborators, actor-network theory (ANT) offers crimes studies a worthy intellectual challenge. It requires us to take the performativity turn, consider the role of objects in our analysis and conceptualize all actants (human and non-human) as relational beings. Thus power is not the property of one party, but rather it is an effect of the relationships among actants. Students, academics and policy-makers will benefit from reading this collection in order to explore criminology-related topics in a different way.
What is a crime and how do we construct it? The answers to these questions are complex and entangled in a web of power relations that require us to think differently about processes of criminalization and regulation. This book draws on Foucault's concept of governmentality as a lens to analyze and critique how crime is understood, reproduced, and challenged. It explores the dynamic interplay between practices of representation, processes of criminalization, and the ways that these circulate to both reflect and constitute crime and "justice."