THE NO. 1 SUNDAY TIMES BESTSELLER & SHORTLISTED FOR A NATIONAL BOOK AWARD 'A triumph' Heat __________ Lou Clark knows too many things . . . She knows how many miles lie between her new home in New York and her new boyfriend Sam in London. She knows her employer is a good man and she knows his wife is keeping a secret from him. What Lou doesn't know is she's about to meet someone who's going to turn her whole life upside down. Because Josh will remind her so much of a man she used to know that it'll hurt. Lou won't know what to do next, but she knows that whatever she chooses is going to change everything. Follow Lou Clark's adventures in this spellbinding conclusion to the love story that captured 21 million hearts. __________ 'A triumph' Heat 'A joyful story with a pitch-perfect ending' Daily Express 'Still one of our fave authors and still a brilliant read!' Look 'Immensely enjoyable' Sunday Times 'Louisa is a dream character, and this is going to be huge - deservedly so' Daily Mail 'Captivating' OK! 'A funny, thoughtful and uplifting conclusion to the trilogy' Sunday Express
Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary Studies The border between fact and fiction has been trespassed so often it seems to be a highway. Works of history that include fictional techniques are usually held in contempt, but works of fiction that include history are among the greatest of classics. Fiction claims to be able to convey its own unique kinds of truth. But unless a reader knows in advance whether a narrative is fictional or not, judgment can be frustrated and confused. In The Distinction of Fiction, Dorrit Cohn argues that fiction does present specific clues to its fictionality, and its own justifications. Indeed, except ...
No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder. Her sentimental companion Amelia, however, longs only for caddish soldier George. As the two heroines make their way through the tawdry glamour of Regency society, battles - military and domestic - are fought, fortunes made and lost. The one steadfast and honourable figure in this corrupt world is Dobbin with his devotion to Amelia, bringing pathos and depth to Thackeray's gloriously satirical epic of love and social adventure.
This is a series of introductory books about different types of writing. One strand of the series will focus on genres such as Science Fiction, Horror, Romance, and Crime. The other strand will focus on movements or styles often associated with historical and cultural locations - Postcolonial, Native American, Scottish, Irish, American Gothic. These introductions all share the same nine-part structure: 1.A broad definition of the genre and its essential elements 2.A timeline of historical developments 3.Critical concerns to bear in mind while reading 4.Detailed readings of several key texts 5.In-depth analysis of major themes and issues 6.Signposts for further study 7.A summary of the most important criticism in the field 8.A glossary of terms 9.An annotated, critical reading list Writers covered in this book include: Lewis Carroll, Edward Lear, George Orwell, J.R.R. Tolkien, Mary Shelley, J.K. Rowling, H.G. Wells, Thomas More, Jonathan Swift, Charlotte Perkins Gilman, Yann Martel, Jeanette Winterson, and William Gibson.
'Science Fiction' offers a critical account of the phenomenon of science fiction, illustrating the critical terminology and following the contours of its continuing history. The impact of technological advances on the genre is discussed.
A Companion to Science Fiction assembles essays by aninternational range of scholars which discuss the contexts, themesand methods used by science fiction writers. This Companion conveys the scale and variety of sciencefiction. Shows how science fiction has been used as a means of debatingcultural issues. Essays by an international range of scholars discuss thecontexts, themes and methods used by science fiction writers. Addresses general topics, such as the history and origins ofthe genre, its engagement with science and gender, and nationalvariations of science fiction around the English-speakingworld. Maps out connections between science fiction, television, thecinema, virtual reality technology, and other aspects of theculture. Includes a section focusing on major figures, such as H.G.Wells, Arthur C. Clarke, and Ursula Le Guin. Offers close readings of particular novels, from MaryShelley’s Frankenstein to Margaret Atwood’sThe Handmaid’s Tale.
In this new and timely cultural history of science fiction, Roger Luckhurst examines the genre from its origins in the late nineteenth century to its latest manifestations. The book introduces and explicates major works of science fiction literature by placing them in a series of contexts, using the history of science and technology, political and economic history, and cultural theory to develop the means for understanding the unique qualities of the genre. Luckhurst reads science fiction as a literature of modernity. His astute analysis examines how the genre provides a constantly modulating record of how human embodiment is transformed by scientific and technological change and how the ver...