In recent years, historical witnessing has emerged as a category of "museum object." Audiovisual recordings of interviews with individuals remembering events of historical importance are now integral to the collections and research activities of museums. They have also become important components in narrative and exhibition design strategies. With a focus on Holocaust museums, this study scrutinizes for the first time the new global phenomenon of the "musealization" of the witness to history, exploring the processes, prerequisites, and consequences of the transformation of video testimonies into exhibits.
Turtle Geometry presents an innovative program of mathematical discovery thatdemonstrates how the effective use of personal computers can profoundly change the nature of astudent's contact with mathematics. Using this book and a few simple computer programs, students canexplore the properties of space by following an imaginary turtle across the screen.The concept ofturtle geometry grew out of the Logo Group at MIT. Directed by Seymour Papert, author of Mindstorms,this group has done extensive work with preschool children, high school students and universityundergraduates. Harold Abelson is an associate professor in the Department of Electrical Engineeringand Computer Science at MIT. Andrea diSessa is an associate professor in the Graduate School ofEducation, University of California, Berkeley.
Written by experienced and internationally renowned contributors, this is the fourth edition of what has become the standard reference for cosmetic scientists and dermatologists seeking the latest innovations and technology for the formulation, design, testing, use, and production of cosmetic products for skin, hair, and nails. New to this fourth edition are chapters on dermatocosmetic vehicles, surface film, causes and measurement of skin aging, make-up products, skin healing, cosmetics in sports, cosmetotextiles, nutricosmetics, natural ingredients, cosmeceuticals, and regulatory vigilance.
This set comprises 40 volumes covering 19th and 20th century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
Fahrenheit 9/11 is the scorching cinema sensation that sent waves of shock and awe across the globe. Now you can get the facts behind the most talked about film of the year. Here Mike gives you the full, explosive transcript of the smash hit that's got the phoney President running for the hills - with extra outtakes that never made the final cut. He fires back at the critics with his own 'Fact Bible' to prove that it's all true, and gives us just a taste of the buzz that's made this movie torpedo all predictions and become a worldwide phenomenon.
Museums of history and contemporary culture face many challenges in the modern age. One is how to react to processes of Europeanization and globalization, which require more cross-border cooperation and different ways of telling stories for visitors. This book investigates how museums exhibit Europe. Based on research in nearly 100 museums across the Continent and interviews with cultural policy makers and museum curators, it studies the growing transnational activities of state institutions, societal organizations, and people in the museum field such as attempts to Europeanize collection policy and collections as well as different strategies for making narratives more transnational like telling stories of European integration as shared history and discussing both inward and outward migration as a common experience and challenge. The book thus provides fascinating insights into a fast-changing museum landscape in Europe with wider implications for cultural policy and museums in other world regions.
Eastern European museums represent traumatic events of World War II, such as the Siege of Leningrad, the Warsaw Uprisings, and the Bombardment of Dresden, in ways that depict the enemy in particular ways. This image results from the interweaving of historical representations, cultural stereotypes and beliefs, political discourses, and the dynamics of exhibition narratives. This book presents a useful methodology for examining museum images and provides a critical analysis of the role historical museums play in the contemporary world. As the catastrophes of World War II still exert an enormous influence on the national identities of Russians, Poles, and Germans, museum exhibits can thus play an important role in this process.