Eighteenth-century France witnessed the rise of matter itself-in forms ranging from atoms to anatomies-as a privileged object of study. Voluptuous Philosophy redefines what is at stake in the emergence of an enlightened secular materialism by showing how questions of figure-how should a body be represented? What should the effects of this representation be on readers?-are tellingly and consistently located at the very heart of 18th-century debates about the nature of material substance. French materialisms of the Enlightenment are crucially invested not only in the development of a sophisticated theoretical apparatus around the notion of matter but in the production of specific relationships...
The aim of this book is to provide an account of modernist painting that follows on from the aesthetic theory of Theodor W. Adorno. It offers a materialist account of modernism with detailed discussions of modern aesthetics from Kant to Arthur Danto, Stanley Cavell, and Adorno. It discusses in detail competing accounts of modernism: Clement Greenberg, Michael Fried, Yve-Alain Bois, and Thierry de Duve; and it discusses several painters and artists in detail: Pieter de Hooch, Jackson Pollock, Robert Ryman, Cindy Sherman, and Chaim Soutine. Its central thesis is that modernist painting exemplifies a form of rationality that is an alternative to the instrumental rationality of enlightened modernity. Modernist paintings exemplify how nature and the sociality of meaning can be reconciled.
Ellie Johnston has just been dumped by her boyfriend Mark. Being dumped by the man she calls ‘The Weasel’ has dented her ego, and not only is she sulking, but as a plus-sized blogger she’s feeling like a fraud because her confidence in her curvaceousness has been seriously dented. While she’s still feeling raw, she comes across some evil comments on a newspaper website, which fire her up with a desire to show the world that you don’t have to conform to a skinny stereotype to be happy, healthy, successful and beautiful. She’s passionate about helping other women escape the tyranny of constant dieting and body hatred, after being caught up in it herself. She enlists the help of her two plus-sized and gorgeous girlfriends, Zoe and Lauren, to come up with a plan, and seeks solace in Jamie, a gorgeous younger man with commitment issues. The ‘Viva Voluptuous’ campaign takes the girls on a hilarious journey through PR disasters, dating sites and flash mobs but will it make a difference? And will Ellie get her curvy-girl mojo back again…?
'Voluptuous' may not be a common word associated with God, but the author speaks metaphorically of God in a way that calls us to laughter, love, and joy -- voluptuousness as 'full delight' -- and invites us to worship a God of intimacy rather than a God of distance. The light yet not trivial tone of this work supports the author's basic premise that we are meant to live our humanity joyfully, thankfully, and fully from our hearts. The book is rooted in the Christian tradition but affirms that truth can also be found in other religions, spirituality, and secular practices.
Nyree and Cia live on a remote farm in the east of what was Rhodesia in the late 1970s. Beneath the dripping vines of the Vumba rainforest, and under the tutelage of their heretical grandfather, theirs is a seductive childhood laced with African paganism, mangled Catholicism and the lore of the Brothers Grimm. Their world extends as far as the big fence, erected to keep out the 'Terrs' whom their father is off fighting. The two girls know little beyond that until the arrival from the outside world of 'the bastard', their orphaned cousin Ronin, who is to poison their idyll for ever.
This is the ninth installment of "The Pearl," a pornographic magazine published in London by William Lazenby between 1879 to 1880. The magazine contained erotic tales, songs, rhymes, and parodies, all based around sex in high society, flagellation, and incest. In 1880, the magazine was legally forced to shut down due to the publishing of rude and obscene literature. Following its closure, Lazenby created two other similar publications, "The Oyster" and "The Boudoir." Other notable works by Lazenby include: The Romance of Chastisement" (1883), "The Pleasures of Cruelty" (1886), and "The Birchen Bouquet" (1881). "The Pearl" will appeal to those with an interest in erotic fiction, and it is not to be missed by fans and collectors of vintage literature of this ilk. Contents include: "La Rose D'amour," "My Grandmother's Tale Or May's," "Account Of Her Introduction To The Art Of Love," "The Good Nobleman," "Flunkeyania," and "Lady Pokingham." Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of erotic literature.
I know I have long promised you an account of the reason of my penchant for the rod, which, in my estimation, is one of the most voluptuous and delicious institutions of private life, especially to a supposed highly respectable old maid like your esteemed friend. Treaties must be carried out, and promises kept, or how can I ever hope for the pleasure of making you taste my little green tickler again. Writing, and especially a sort of confession of my voluptuous weakness, is a most unpleasant task, as I feel as shamefaced in putting these things on paper as when my grandfather's housekeeper first bared my poor blushing little bottom to his ruthless attack. My only consolation at commencing is...